Critical Appropriations: African American Women and the Construction of Transnational Identity

From the novels of Toni Morrison to the music of Beyonc Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these constructions illuminate our understanding of a chronically marginalized demographic. In Critical Appropriations, Drake contends that these fluid and hetero-geneous characterizations of black females arise from multiple creative outlets -- literature, film, and music videos -- and reflect African Ameri-can women's evolving concept of home, community, gender, and family.
Through a close examination of Toni Morrison's Paradise, Danzy Senna's Caucasia, Gayl Jones's Corregidora, Erna Brodber's Louisiana, and Kasi Lemmons's film Eve's Bayou, as well as Beyonc Knowles's B-Day album and music-video collaboration with Shakira, Beautiful Liar, Drake reveals how concepts of hybridity -- whether positioned as cr olit , Candombl , n gritude, Latinidad, or Brasilidade -- are appropriated in each work of art as a way of challenging the homogeneous paradigm of black cultural studies. This redefined notion of identity enables African American women to embrace a more complex, transnational blackness that is not only more liberating but also more pertinent to their experiences.
Drawing from this borderless exchange of ideas and a richer concept of self, Critical Appropriations offers a rewarding reconsideration of the creative implications for African American women, mapping new directions in black women's studies.

Binding Type: Hardcover
Author: Drake, Simone C.
Published: 05/12/2014
Publisher: Louisiana State University Press
ISBN: 9780807153871
Pages: 186
Weight: 0.84lbs
Size: 8.69h x 5.86w x 0.80d