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Portraits, chronicles, incantations and invocations, drawn from a lifetime of prolific activity.\u003c\/p\u003e \u003cp\u003eFrom his early days in the Black Arts Movement and up to the present, Daaood has been a powerful artistic and social force, an inspired seer\/seeker. Whether collaborating with renowned musicians, heading up a performance group or inspiring and nurturing new talent, he speaks to and from the urgency of his time.\u003c\/p\u003e \u003cp\u003e\"Saxophones offers a good sample of the work that has made Da ood such a respected figure among black poets, and among all poets who take their role as bards and teachers straight, no irony. 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Like a sensuous dance, the poems go up and down, seemingly getting better as they progress, allowing the reader to hold onto a piece of time in the process.\" --www.rawsistaz.com\u003c\/p\u003e \u003cp\u003e\"There are prophets among us and Kamau Da ood is one of them. His poems are psalms. HIs language shimmers, raging against injustice and racism, yet held in tender balance. His images are irridescent and deep with river song. His art is an abiding love for the world. His genius is that he believes it. After you are blessed by this book, you too will believe.\" --Chris Abani, author of \u003cem\u003eGraceLand and Dog Woman\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\"Long before poetry slams became the literary equivalent of monster-truck rallies, City Lights Press was at the heart of San Francisco's poetry renaissance, putting out volumes by Jack Kerouac, Allen Ginsberg and Anne Waldman - the true founders of the so-called spoken word movement. All of these writers appeared in the Pocket Poet series, which could fit in a jeans pocket and made a perfect companion for cross-country jaunts. The series survives, and the latest addition is Kamau Daaood's \u003cem\u003eThe Language of Saxophones\u003c\/em\u003e, a book so hip and full of soul even Miles Davis would have treated it with respect. --John Freeman, \u003cem\u003eMilwaukee Journal Sentinel\u003c\/em\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eKamau Daaood\u003c\/strong\u003e, performance poet and community arts activist, is the artistic director of Los Angeles' World Stage Performance Gallery, which he co-founded with master drummer Billy Higgins. 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Be it the presence of a skinhead on the subway, a newspaper account of unthinkable atrocity, or the 'noose loosened to necklace' of desire, the cut of Haiti Glass lays bare a world of resistance and survival, mourning and lust, need and process, triumph and prayer.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLenelle Mo se \u003c\/b\u003eis an award-winning poet, playwright, essayist and internationally touring performance artist. She creates jazz-infused, hip-hop bred, politicized texts about identity, memory and magic. Her poems and essays are featured in several anthologies, including: \u003ci\u003eWord Warriors: 35 Women Leaders in the Spoken Word Revolution\u003c\/i\u003e and \u003ci\u003eWe Don't Need Another Wave: Dispatches from the Next Generation of Feminists.\u003c\/i\u003e Her writing has also been published in the \u003ci\u003eUtne Reader, Make\/Shift, Left Turn, \u003c\/i\u003e and numerous other magazines and journals. 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Mo se takes up the complexities of Haitian culture, the immigrant experience, sexuality and gender, and bearing witness. Highly recommended.\"--Roxane Gay, author of \u003ci\u003eAn Untamed State\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"With a bold, unblinking eye, Lenelle Mo se shows us the tragic yet beautiful world in which we live and challenges us not to turn away, but to turn towards with hope, compassion, and love. With all my heart, I thank her for writing these poems.\"--Lesl a Newman, author of \u003ci\u003eOctober Mourning, A Song for Matthew Shepard\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\"\u003ci\u003eHaiti Glass \u003c\/i\u003eis a book fierce with ambition: make the reader feel Haiti, make the reader think Haiti, make the reader understand Haiti. Lenelle Moise's poems render the abstract- policy, disaster, history, diaspora- specific. 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The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness.\"--Toni Morrison, from the Foreword\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Collected Poems of Lucille Clifton 1965-2010\u003c\/i\u003e combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965-1969, a collection-in-progress titled \u003ci\u003ethe book of days\u003c\/i\u003e (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize-winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career.\u003c\/p\u003e\u003cp\u003eOn February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. 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